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Compare and contrast the experience of Saraceno's in orbit and Christo and Jeanne-Claude's The Gates. Then indicate your responses to these works and the reasons you respond in these ways.

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Responses will vary. TomΓ‘s Saraceno's in...

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Contrapposto (meaning counterpoise or counterbalance) was developed by ________ as a pose for sculptures of the human figure.


A) ancient Greeks
B) ancient Egyptians
C) 18th-century artists of the Ivory Coast
D) 12th-century Japanese artists
E) artists of the Renaissance

F) A) and E)
G) B) and E)

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Casting is known as ________ method.


A) a subtractive
B) an additive
C) an indirect
D) an assemblage
E) a modeling

F) B) and C)
G) A) and E)

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High-relief sculpture is different from low-relief sculpture in that:


A) high-relief is a freestanding work that can be viewed from any angle.
B) high-relief is installed high upon the wall of a building.
C) high-relief projects only slightly from the background.
D) elements of high-relief may be in the round, unattached to the background.
E) All these answers are correct.

F) B) and D)
G) C) and E)

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Explore the concept of impermanent sculpture by discussing an impermanent sculptural work or installation. Discuss the reasoning behind such a work of art and how its impermanence affects its meaning.

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Responses will vary depending on the sel...

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The subtractive process involves:


A) carving.
B) assembling.
C) welding.
D) modeling.
E) None of these answers are correct.

F) A) and D)
G) A) and E)

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Andy Goldsworthy uses ________ materials to create sculptures that are ________.


A) artificial; ephemeral
B) natural; permanent
C) artificial; permanent
D) natural; ephemeral
E) imaginary; conceptual

F) A) and D)
G) B) and E)

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Four basic methods for making a sculpture are:


A) modeling, firing, lashing, and casting.
B) casting, stacking, rolling, and carving.
C) modeling, casting, carving, and assembling.
D) casting, turning, rolling, and modeling.
E) None of these answers are correct.

F) A) and E)
G) A) and B)

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What is the key difference between the process of lost-wax casting as practiced in ancient times and that same process today?


A) The lost-wax process did not exist in ancient times.
B) The modern method no longer uses wax.
C) There is no difference between the modern and the ancient methods.
D) Today's sculptors do not use the lost-wax method.
E) Today, multiples can be created from the process.

F) A) and E)
G) C) and D)

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Discuss at least three different approaches to the sculptural portrayal of the human body by different artists. Include your own assessment of the message each artist sends through the work and how you think his/her medium, processes, and technique affected the success of the work in communicating to the viewer.

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Responses will vary depending ...

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The Indian sculpture Durga Fighting the Buffalo Demon is an example of:


A) low-relief sculpture.
B) high-relief sculpture.
C) bronze casting.
D) assemblage.
E) collage.

F) B) and D)
G) None of the above

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Serpent Mound and Spiral Jetty are known as:


A) installations.
B) sculptures in the round.
C) lost-wax moldings.
D) earthworks.
E) high-relief sculptures.

F) D) and E)
G) C) and D)

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